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Baramulla Review: Netflix’s Baramulla, directed by Aditya Suhas Jambhale and produced by Aditya Dhar, is a gripping psychological thriller that transcends the boundaries of conventional horror. Starring the brilliant Manav Kaul as DSP Ridwaan Shafi Sayyed, the film takes viewers through a chilling yet emotional journey set against the snow-covered landscapes of Kashmir. What begins as a routine police investigation into a series of missing children soon spirals into a deeper story about memory, guilt, and redemption.

Baramulla Movie’s Plot

Baramulla opens with DSP Ridwaan’s transfer from Reasi to Baramulla, following a traumatic hostage situation that left him and his daughter Noorie (Arista Mehta) scarred. Along with his wife Gulnaar (Bhasha Sumbli) and son Ayaan (Rohaan Singh), Ridwaan hopes to rebuild his life in the quiet valley. But Baramulla’s beauty conceals a haunting darkness, a child vanishes during a magic show, triggering an investigation that uncovers not only a network of lies but also the supernatural remnants of Kashmir’s painful past. As the Sayyed family encounters eerie presences in their new home, the lines between the real and the spectral begin to blur, revealing wounds that have never healed.

Visually, Baramulla paints Kashmir in an unsettling new light. Instead of the usual postcard-perfect tulip fields, the film’s cold, colourless frames mirror the region’s inner turmoil. The recurring white tulip which is once symbolic of love becomes a chilling emblem of loss. Jambhale, who co-wrote the screenplay with Aditya Dhar, uses supernatural horror to reflect the psychological trauma of those who stayed behind during the 1990s exodus. Manav Kaul’s portrayal of a man torn between duty and despair is extraordinary. His quiet anguish, his fractured relationship with his daughter, and his desperate attempt to maintain sanity make Ridwaan one of his most powerful roles yet. Bhasha Sumbli delivers a tender performance as Gulnaar, while Mir Sarwar and Ashwini Kaul add gravitas in supporting roles.

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Meanwhile, the true brilliance of Baramulla lies in its emotional resonance. The ghosts here are not just supernatural entities, but echoes of human pain. As Ridwaan’s family confronts the spirits of a Kashmiri Pandit household that once lived in their home, the film becomes a moving allegory for reconciliation between religions, generations, and the living and the dead. While the pacing falters towards the climax, the final act delivers a cathartic release, where empathy triumphs over fear.

Baramulla X Review

Social media has been buzzing with praise for Baramulla, especially among Kashmiri audiences. On X (formerly Twitter), viewers have shared heartfelt reactions to the film’s sensitive storytelling. One user wrote, “Just watched @KaulManav’s Baramulla. Every frame is pure art. Thank you @AdityaDharFilms for such an emotional masterpiece.” Another commented, “Baramulla is not just a horror film it’s therapy for those who lived the trauma.” A Kashmiri Pandit user shared, “This film captures our pain with dignity. A step above The Kashmir Files.” One viewer added, “The haunting visuals of snow and silence gave me chills. Manav Kaul is phenomenal!” Another said, “The ending left me in tears. It’s not about ghosts it’s about guilt and forgiveness.” One fan wrote, “Baramulla deserves every award. The direction, cinematography, and writing are next level.” A final post read, “Haven’t seen such honest storytelling in years. This is how horror should feel real and human.” The consensus is clear: Baramulla has struck an emotional chord with audiences worldwide.

In its 1 hour and 52 minutes, Baramulla manages to merge horror with humanity, turning grief into storytelling and fear into understanding. It’s not a film that frightens with jump scares but one that lingers with uncomfortable truths. Aditya Jambhale and Aditya Dhar craft a narrative where every shadow tells a story, and every silence hides a scream.

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